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published April 8, 2007
This illustration accompanied a column by Editorial Page Editor Ron Dzwonkowski that memorialized his friend and longtime Free Press Publisher Neal Shine, who passed away April 3, 2007.
published June 10 2007
this illustration was made from scratch, and was my favorite photoshop challenge ever. it took me about four tries to before i figured out how make the puzzle pieces , and then lots of versioning before i got them scattered the way I liked. I strugged with detail - should i have included freeway markers and smaller cities like Farmington Hills, St. Clair Shores and Royal Oak? Or would the inclusion of those specifics made the whole image too complex and unreadable? I think I could have done more with it, but I'm really happy with the way it turned out.
published May 27, 2007
photos by photodisc
published April 29, 2007
this was my third pitch for this four-part editorial. originally, I wanted to do a 'connect-the-dots' kind of thing, when it seemed the story would be focused on how the different supporting players (the parents, police, classmates, etc), might have seen this disaster coming. that sketch (which i unfortunately recycled) showed bullet holes piercing the paper, connecting to form the image of a student with a gun (which I recycled in a secondary illustration, shown below). The second pitch was a maze metaphor: how would a student make his way past so many obstacles set up to prevent such a massacre? in that image, the killer would have knocked the walls down and barreled straight into the center, which would have been an open classroom with a few desks and chairs strewn around. in the end, the hurdles seemed like the clearest image, with the closest visual tie to a student, via the track suit. it's not the image i liked the best, but i think it was the most direct, and it implies a velocity/inevitability that i like. i'm happy with the way it turned out. 
published March 2007
this is actually a self-portrait of sorts. i threw some Aleve in an old perscription bottle, and shot it with my digital camera, available light in the Free Press photo studio. I scraped off the old label and created a new one using illustrator and photoshop. getting the type to distort the right way was kind of a drag, but it was a fun challenge. i'm happy with the way it turned out - especially the little tear on the fake label.
published February 2007
I did this illustration for a Sunday Editorial cover I designed in February 2007.